By Karol Krok
No one can quite polarise the mass audience and critics the way Christopher Nolan does now on a regular basis. Ever since this independent filmmaker reached a worldwide audience with his Batman trilogy, the endless debate over his ability as a director spawned so much discussion that one grows a tad sick of it as this point. To think that this quiet and soft-spoken gentleman, out of all people, would spark such a debate is quite strange. Interstellar, his last film, was no exception. In fact, one might say it took this craziness to the next level.
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